Cheptel n°2 - Fonds
Ce numéro contient approximativement 2275 reproductions et un texte de Noëlig Le Roux.
Cheptel n°1
Ce numéro contient La ferme des boules plates 1, Du culte de Priape au brouet de cailles, Dans la spirale de l’échec 1 et Retrait d’union.
Print Après-midi Lab, Paris
24 secondes par image
Les 100 Untitled Works in Mill Aluminium (1982-1986) de Donald Judd sont montrés dans deux hangars de la Chinati Foundation, à Marfa au Texas. Ces clichés ont étés pris en 24 secondes chacun, car la fondation n'autorise que vingt minutes de visite par hangar afin de préserver les œuvres.
Wednesdays at A’s, 330 Broome St. NY 1979-1981
French edition • Anamosa, Paris, with the support of Fondation Antoine de Galbert • ISBN: 978-2-38191-037-6
A Xerox flyers collection from Arleen Schloss’ archive : Basquiat, Liquid Liquid, Carolee Schneemann, Glenn Branca, Bush Tetras, Suicide, Thurston Moore, and many more… Texts by artists Baptiste Brévart & Guillaume Ettlinger, art historian Pauline Chevalier and musicologist Guillaume Loizillon.
"The New York flat of the artist Arleen Schloss saw, from October 1979 onwards, the experiments of an improbable tribe between no wave, sound poetry and visual arts. These were Wednesdays at A’s, whose hybrid and radical programme filled the loft at 330 Broome Street every week for eighteen months with concerts, performances, readings or exhibitions, always driven by a festive demand. To announce the events, dozens of flyers are made on the photocopier by invited artists and friends. Drawings, collages, détournements, typographical games and handwritten annotations thus populate a colourful set of traces destined to be ephemeral, although already somewhat fetishised by the protagonists. These flyers tell the story of the Wednesdays at A’s adventure in chronological order, just as they bear witness to the preoccupations of a fertile period when bodies and machines met, beyond genres and disciplines, in a city on the brink of bankruptcy. Baptiste Brévart and Guillaume Ettlinger met Arleen Schloss in New York in 2011. Together they began an archaeological study of this evanescent memory and collected a large number of exceptional and unpublished documents. With the valuable contribution of Pauline Chevalier and Guillaume Loizillon, they retrace a parallel history of the arts in New York in the 1980s. " [Editor's note]
11 volcans Mombacho
Production Centre d'art de la ferme du Buisson - Print avec Jérôme Valton - Photos © Émile Ouroumov
105 volcans Mombacho
Production Centre d'art de la ferme du Buisson - Moulage et injection avec Johé Bruneau, Precious Plastic - Photos © Émile Ouroumov
